There isn’t another killing in cinema quite like the centrepiece sequence in Leave Her To Heaven.
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Notes on Leave Her To Heaven.
There isn’t another killing in cinema quite like the centrepiece sequence in Leave Her To Heaven.
A couple of months ago I was tasked with providing an essay for this upcoming release of Robert Siodmak’s Criss Cross. Somewhat under-seen in the UK, Criss Cross stands as one of the darkest and most affecting film noir pictures of the era. Take a look at the trailer and the artwork below.